"Extreme Borrowing in the Blogosphere"
Kottke.org: "Extreme Borrowing in the Blogosphere" (discussing linking/excerpting/attribution issues).
Kottke.org: "Extreme Borrowing in the Blogosphere" (discussing linking/excerpting/attribution issues).
Mark Zuckerberg (CEO of Facebook): Update on Terms
Our next version will be a substantial revision from where we are now. It will reflect the principles I described yesterday around how people share and control their information, and it will be written clearly in language everyone can understand. Since this will be the governing document that we'll all live by, Facebook users will have a lot of input in crafting these terms.
2006 interview with 'mash up' artist Girl Talk about, among other things, waiting for the cease and desists to arrive.
Memo from McCain's Motion to Dismiss Copyright Action brought by jackson Browne re McCain campaign's use of 'Running on Empty.'
A. Browne's Copyright Infringement Claims Are Barred By The
Fair Use Doctrine
1. The First Factor, The Purpose And Character Of The Use,
Favors McCain Because The Use Was Made In A Non-
Commercial Political Message About Matters Of Public
Concern And Was Transformative
2. The Second Factor, The Nature Of The Copyrighted Work,
Favors McCain
3.The Third Factor, The Amount and Substantiality Of The
Use, Favors McCain
4.The Fourth Factor, The Effect Of The Use On The Potential
Market For Or Value Of Plaintiff's Work, Favors McCain
B. Browne's Lanham Act Claim Fails As A Matter Of Law
1.The Lanham Act Does Not Apply To Political Speech
2.Browne's Lanham Act Claim Is Barred By The "Artistic
Relevance" Test Imposed By The First Amendment
3.As A Matter Of Law, There Can Be No Likelihood Of
Confusion Stemming From The Political Video
The Stanford Law School Center for Internet and Society will represent the defendant in the appeal of the Harry Potter Lexicon case, discussing whether defendant's 'Lexicon' of the Harry Potter books constitute fair use.
Publishers Weekly: "Google Settles with AAP, Authors Guild":
Google has reached an out-of-court-settlement with the Authors Guild and the AAP involving two separate lawsuit brought by the organizations against Google’s Library Search program that made scans of books from libraries, including books under copyright. The settlement includes a $125 million payment by Google plus the establishment of a new licensing system.
WSJ: Lessig: "In Defense of Piracy":
How is it that sensible people, people no doubt educated at some of the best universities and law schools in the country, would come to think it a sane use of corporate resources to threaten the mother of a dancing 13-month-old? What is it that allows these lawyers and executives to take a case like this seriously, to believe there's some important social or corporate reason to deploy the federal scheme of regulation called copyright to stop the spread of these images and music? "Let's Go Crazy" indeed!
Joshua Daniels: "Lost in Translation': Anime, Moral Rights, and Market Failure":
This Note examines the process by which Japanese anime series are translated, dubbed, and distributed in the United States, with a particular focus on cases in which the dubbed version has been heavily edited from the original source material. These heavily-edited dubbed versions are often commercial failures because they are rejected by many U.S. fans who are familiar with the original Japanese version of the series through the consumption of illegal "fansubbed" versions. Even though these transactions seem wasteful and thus should be avoided, their occurrence on several different occasions over the years is difficult to explain.HT Copyright Law Twitter
This Note argues that these cases are the result of a failure of the anime licensing market to take into account the legitimate interests and expectations of U.S. fans in the integrity of the series, which ought to be considered even though the moral rights of the original creators technically might not be infringed. Drawing upon prior scholarly literature which justifies the fair use defense in copyright law as a means of curing market failures, this Note proposes the adoption of a limited fair use defense for infringing "fansubs" where the authorized dubbed version of the series has been heavily edited and there exists no other legal means by which U.S. fans may enjoy the series in its original form in the United States.
I see the article, I want to comment on the 'substituting creativity for your own' comment, but then I start playing Feed the Animal, people come into my office, they say 'is that 'Body Movin' by the Beastie Boys, we look at the list of the samples, somebody else comes in, they hear the Radiohead sample, then it's forty minutes later.
Center for Social Media: "Fair Use and Online Video":
Remixes, mashups, fan tributes and other creative work burgeoning in online video often use copyrighted material without permission or payment. When is it fair to do so? In many cases, creators can employ fair use, a key feature of copyright law. Welcome to a code of best practices in fair use for online video, and to studies and other information that help you understand the importance of fair use in maintaining an open door for tomorrow's creativity.For deeper resources, including teaching materials, background on the law, video examples of fair use in action, and other codes of practice, go to centerforsocialmedia.org/fairuse.
Girl Talk is a DJ who records mashups. He explains his method in the clip below. Coverage on Girl Talk here. He is releasing his new album on a Radiohead style pay-what-you-want basis here.
As I listen to Girl Talk's music I'm reminded of a quote from Spike Jones, the exact words of which I can't find, but something to the effect that his work wasn't as random as it looked - if you substituted a gunshot for a b-flat in the William Tell Overture, it had to be a b-flat gunshot.
Now those are seven words that tell a story. However not all seven words from the AP are as interesting. Bethat as it may, the AP apparently charges for quotations by the word (see rate sheet below) and my quote falls under the 5 to 25 word level for $12.50. Background here.
UPDATE: TechCrunch and Media Bloggers Association on 'backstory' of AP?Cadenhead dispute
Workbench: "AP Files 7 DMCA Takedowns Against Drudge ReTort":
[Workbench is] currently engaged in a legal disagreement with the Associated Press, which claims that Drudge Retort users linking to its stories are violating its copyright and committing "'hot news' misappropriation under New York state law." An AP attorney filed six Digital Millenium Copyright Act takedown requests this week demanding the removal of blog entries and another for a user comment.The Retort is a community site comparable in function to Digg, Reddit and Mixx. The 8,500 users of the site contribute blog entries of their own authorship and links to interesting news articles on the web, which appear immediately on the site. None of the six entries challenged by AP, which include two that I posted myself, contains the full text of an AP story or anything close to it. They reproduce short excerpts of the articles -- ranging in length from 33 to 79 words -- and five of the six have a user-created headline.
UPDATE: Salon's Scott Rosenberg comments.
Dave Winer: "Who Owns Your Comments?":
When you place a comment on my blog, you're adding something to the record here, but you're also adding to the library of your written work.So the question is: "Who owns the comment?"
Boing Boing: "Archivists to Oregon: your laws aren't copyrighted, so there!"
Justia makes various legal materials available. I'm able to provide trademark complaints because of the useful RSS Feed Justia makes available. Justia has received a demand letter from the state of because of its reproduction of annotated Oregon statutes.
News.com: "YouTube's Filtering Issues Still Not Moot":
A year ago Wednesday, Google CEO Eric Schmidt delighted an audience of TV and radio broadcasters when he promised to roll out a system that would mean the end of piracy at YouTube.com"We are in the process of developing tools which are called 'Claim Your Content,'" Schmidt said at the National Association of Broadcasters 2007 conference. "If people tell us this is a licensed copy, our computers will automatically detect that an illegal copy has been uploaded and then automatically delete it."
Schmidt went on to say YouTube was "close to turning this (system) on" and once that happened, copyright violation at the site "becomes a moot issue." But following through on that promise has proven a challenge.
Godzilla sues Subway for use of Godzilla in ad. Complaint here. Clearly defendants did not take sage advice from Austin Powers.
WSJ.Com: Running Over Fair Use Like The Hogwarts Express?:
"Warner and Rowling filed a lawsuit against RDR Books, a small publishing house in Michigan, over its plans to publish a print edition of The Harry Potter Lexicon website, a compendium of all things Harry that looks, well, rather daunting to neophytes like us. In December Stanford Law School’s Anthony Falzone — a former Bingham McCutchen litigator and the heir apparent to Lawrence Lessig’s Fair Use Project — agreed to help defend RDR Books against the suit.Last month, Wu defended RDR in another Slate piece, writing, “There is a necessary and healthy line between what the initial author owns and what follow-on, or ’secondary,’ authors get to do, and Rowling is running over that line like the Hogwarts Express.”
MediaPost: Scientologists Threaten Gawker Media With Legal Action Over Cruise Video:
WHEN A NINE-MINUTE VIDEO OF Tom Cruise touting the Church of Scientology hit the Web recently, the group quickly sent out takedown notices. Many publishers complied, but not Gawker Media's Nick Denton.Now, the notoriously litigious Scientologists have complained to Gawker that the video was pirated, and have demanded its removal. Denton argues that posting the video constitutes a fair use. "[I]t's newsworthy, and we will not be removing it," Denton wrote on the site last week. A spokeswoman for the Church of Scientology said the group is considering taking legal action.
NY Times: Bits Debate: Copyright:
Throughout the debate this week on copyright issues, the question of fair use has come up repeatedly. On Wednesday, the topic for Rick Cotton, the general Counsel of NBC Universal, and Tim Wu, the Columbia law professor, was the legal concept of fair use: how much of a copyrighted work can be included in a review or other sort of work. But in many of the comments we received all week, readers have asked about their own broader sense that when they buy a CD or movie, they purchase rights that include making copies for their personal use.
Boing Boing: Car Owners Are Pirates If They Distribute Pictures Of Their Own Cars:
"The folks at BMC (Black Mustang Club) automotive forum wanted to put together a calendar featuring members' cars, and print it through CafePress. Photos were submitted, the layout was set, and... CafePress notifies the site admin that pictures of Ford cars cannot be printed. Not just Ford logos, not just Mustang logos, the car -as a whole- is a Ford trademark and its image can't be reproduced without permission. So even though Ford has a lineup of enthusiasts who want to show off their Ford cars, the company is bent on alienating them. 'Them' being some of the most loyal owners and future buyers that they have. Or rather, that they had, because many have decided that they will not be doing business with Ford again if this matter isn't resolved."

Connection between the Wonder Woman character and Playboy's content discussed here. More reaction here.
Any excuse to recall the Air Pirates case.
Prof Lessig: "On the Texas Suit Against Virgin and Creative Commons."
"Slashdot has an entry about a lawsuit filed this week by parents of a Texas minor whose photograph was used by Virgin Australia in an advertising campaign. The photograph was taken by an adult. He posted it to Flickr under a CC-Attribution license. The parents of the minor are complaining that Virgin violated their daughter's right to privacy (by using a photograph of her for commercial purposes without her or her parents permission). The photographer is also a plaintiff. He is complaining that Creative Commons failed "to adequately educate and warn him ... of the meaning of commercial use and the ramifications and effects of entering into a license allowing such use." (Count V of the complaint)."
Dallas News: "... Mom Sues Virgin Mobile Over Teen's Photo"
What would you do if a company grabbed a goofy picture of your kid off the Internet, slapped some snarky text on it and used it to sell mobile phone service half a world away?
Susan Chang decided to sue.
Extremely muddled legal discussion in article that misses the significance that Creative Commons, promulgator of the Creative Commons license, is a named party.
Google Public Policy Blog: "The Economic Value of 'Fair Use'"
"The study -- which I encourage you to check out -- concludes that the "fair use economy" in 2006 accounted for $4.6 trillion in revenues (roughly one-sixth of total U.S. gross domestic product), employed more than 17 million people, and supported a payroll of $1.2 trillion (approximately one out of every eight workers in the US). It also generated $194 billion in exports and significant productivity growth. Using a methodology similar to a previous World Intellectual Property Organization guide, the results of the study demonstrate that fair use is an important economic driver in the digital age."
This is the link to Hillary Clinton's Soprano parody video. It starts out well with a shot of a diner in Mt. Kisco near my old office. It then proceeds to refer to the final scene of the Sopranos (complete with cameo by Vince Curatola, the actor who played Johnny Sack), with Journey's 'Don't Stop Believing' playing through-out. I tried to have an argument with my M&S colleague Paul Fakler but couldn't, as we both agree as to the analysis.
Assuming that there is no authorization (and we have no information one way or the other on that point), the Sopranos reference is most likely permissible and the use of the Journey song is not. Without doing a shot by shot analysis, it seems that the video only borrows common ideas also used by the Sopranos finale (which itself borrowed bits from, among others, the Godfather). The idea of a razor cut ending instead of an anticipated event (in this, case the announcement of the winning song) is the same; the expression is different.
As for the Journey song, again, bearing in mind that we don't know if permission was granted, we can't think of a reason why a sync license wouldn't be required. No fair use factors come reasily to mind as to why this would be a fair use.

A Florida radio station ran billboards (pictured above) showing Britney Spears and one of the station's DJs, suggesting that she and DJ were 'nuts.' Ms. Spears contested the use. The radio station is pulling the billboards. Unfortunately, the Smoking Gun has printed only one of Britney's lawyers letters, not the one that contains 'many legal authorities.' However this letter does site Florida statutes and law. Interestingly, the two cases cited do not apply to media defendants.
There is some precedent for media defendants to utilize someone's name or likeness if the person was the subject of the media's product. In Velez v. VV Pub. Corp., the Village Voice used an unflattering photo of local politico Ramon Velez (a subject of Voice exposes), in an advertisement for the Voice. The use of the photo fairly represented the Voice's news coverage. 135 A.D.2d 47, 50, 524 N.Y.S.2d 186, 187 (1st Dept. 1988) ("[T]he incidental use in an advertisement by a news disseminator of a person's name or identity does not violate the statutory proscription, if it had previously published the item exhibited as a matter of public interest."
In Montana v San Jose Mercury News, the newspaper sold posters of Joe Montana following a Super Bowl victory, which posters were held to have news value due to their 'relatively contemporaneous' publication. Because the use was in connection with merchandise rather than a mere advertisement for the newspaper, this ruling seems like a bit of an outlier. 34 Cal.App.4th 790 (1995).
See more discussion by Stanford University Library here.
If you're aware of Florida caselaw that would suggest how a media defendant using a name or likeness in advertisement for its services might fare, send it on in.

As Thomas Pynchon once wrote: Some people can't see the a great work of architecture without thinking "chase scene."
Such people will be troubled by this BBC Report that the Church of England is planning legal action against Sony, for use of Manchester Cathedral as a background for a video game scene.
Info/Law runs down some U.S. case law on 'incidental' or 'background use of places and things.
The Seattle Trademark Lawyer points to a brief discussion of the Australian take on the general issue of building protection, in the context of photographs of the Sydney Opera House.
Prof Patry wonders what the UK law would be here so I asked world-famous UK lawyer and foremost authority Jane Mutimear , who replies:
" . . . [P]eople who comment on news stories of this nature might find
it worthwhile checking when Manchester Cathedral was built, and remind
themselves as to how long copyright lasts. Even if they can't remember
the difference lengths for the different types of copyright, they might
remember that the longest term is life plus 70, so it would be safe to
assume that architectual copyright didn't last forever and then work out
how old the architect would have to have lived for copyright still to
subsist . . . (Unless they think that God is the architect and believe he is not dead)
It's a passing off issue, if anything, obviously."
News.com: "Newspapers want Google News' quarter" (discussing Google's indexing of newspapering content).
Video explaining fair use using Disney snippets (somewhat reminiscent of a kidnapper's note read aloud). Hat tip to AT.
News.com: "Viacom Sued Over Colbert Parody on YouTube":
"Viacom is misusing U.S. copyright law by forcing YouTube to remove a parody video of The Colbert Report, according to a lawsuit filed against the media conglomerate Thursday. However, Viacom denies the accusation and said it does not object to the video being on YouTube."

Let me anticipate two questions.
C-Span is not a government entity, but a not-for-profit consortium backed by the cable industry, and, all other things being equal, can own and assert copyright.
Second, a congressperson showing a bit of C-Span footage of a congressional hearing on the congressperson's website, would seem to be fair use.
OK, C-Span asked Speaker Pelosi to remove a clip of its coverage of a House committee hearing on global warming from her blog. This apparently after Republicans accused Pelosi of violating C-Span copyright.
Now C-Span has changed its policy to allow the Speaker of House to show footage of congressional hearings on her website.
Schoolhouse Rock materials available here.
NewTeeVee: 'YouTube Should Call Viacom's Bluff'
Mark Cuban: 'Gootube Terrorizes Copyright Owners by Withholding Filters' (in which he advocates the uploading of porn to YouTube to test its filtering abilities.
Reel Pop: "YouTube's inability to remove copyrighted clips could get it sued" (in which it monitors Google's progress in removing Viacom clips).
NewTeeVee: "YouTube, MySpace Face European Copyright Clash":
"Collective licensing organizations throughout the continent have been demanding compliance in recent months, seeking their share of the potential billions generated by online video. At the forefront of this movement is GEMA – a German organization that now now has its sights on YouTube and MySpace."
The New Yorker: "Google's Moon Shot: The Quest For The Universal Library" by Jeff Toobin.
NBC Universal has three employees who view YouTube everyday for studio-owned material, and sends 1,000 requests a month to YouTube to take down such material. From: "Hollywood Asks YouTube: Friend or Foe?"
"Now, a handful of giant media companies, like NBC Universal, News Corp., Viacom and possibly CBS, are close to announcing a new Web site that will feature some of their best-known television programming and other clips in an attempt to build a business for distributing video on the Internet to rival YouTube. The new business could be announced as soon as this week."
Her Majesty's Treasurer has released the Gower Review of Intellectual Property. IPKat took a quick look and notes highlights in the recomendations: NO copyright extension; Fast-track trademark registration process for small business; enhanced safe-harbors against copyright infringement. Attention UK practitioners: after you've had a chance to mull, send me links to your comments.
Managing Intellectual Property article on Gower.
As the price of digital-playback devices (i.e. iPods) plumment, we may see more and more 'pre-loaded' offerings. Here a discussion of Load 'N Go, a company that pre-loads iPods with video content (and bundles the related DVD). However the question arises whether it is cricumventing DRM sfotware to do so. Via IP Due Diligence Blog.
TechCrunch: "Huh? YouTube Sends TechCrunch a Cease and Desist."
News.com: "Perspecitve: 'The Farce Behind 'Digital Freedom'" - Op-Ed on Consumer Electronic Associations' digital freedom campaign, written by Cary Sherman, president of the RIAA.
Out-law: "Streaming video site had 'cyncial disregard' for UEFA's Rights." BSkyB and UEFA protest unauthorized streaming of Champions League games.
MercuryNews.com: "Cablevision suspends network DVR experiment" (Cablevision is developing a server-based, as opposed to set top based (such as Tivo), digital video recording service. It has been sued for copyright infringement by the major movie studios and TV networks).



Gawker: "Battle of Shiloh:"
Gawker: "We Fought The Good Fight"
Gawker: "Does This Mean We're Off The Hook?"
Southern District of Georgia: Plaintiff, Gulfstream, leases its copyrighted manual to its customers. Defendant borrows customer's copy to provide maintenance service, and in so doing copies portions of plaintiff's manual. Fair use.
Prof Patry discussion here.


Google modifies its logos to honor holidays or famous individuals. Last week it created a logo that alludes to (but, Google alleges, did not copy), Joan Miro's work, in honor of Miro's brithday. The Miro estate complained, and Google, without admitting wrong-doing, pulled the logo by noon.
Some reaction was, in effect, gimme a break, either because there was no cause of action, or the use was de minimis, or the resulting press will be bad for the Miro estate.
With regard to trademark, consider whether there is confusion as to endorsement. If the user is aware of Google's commemorative logo pattern, then confusion seems unlikely. However, not everyone is aware, and Google is pretty cryptic about it. In fact, I think part of the allure of the commemorative logo is that it functions somewhat as a puzzle.
Consider the copyright fair use analysis. In a case such as Ringgold v. Black Entertainment Television, Inc. 126 F.3d 70 (2d Cir. 1997), the owner of copyright in a poster argued that using a poster seen for 27 seconds as a decoration on a set of a TV show, was not de minimis use. Furthermore, plaintiff argued that were use of its poster to be deemed fair use, it would destroy any potential market for licensing its poster for set design usages. Is there a market for the Miro estate to license Miro-style fonts, and what effect might Google's use have on such a market?
How is Google using the artwork? It seems clear that Google could clearly state that such and such a day was a great artists's birthday, and then display a thumbnail image of that artist's work as a link to information on that artist, searchable through Google. Its commemorative logo makes that point much more elegantly and subtly; however it leaves it vulnerable to the charge that it is appropriating a third-party's copyrightable designs in order to decorate its home page.
Good exam question.
UPDATE: An anonymous reader advises that there has been a dispute in the past regarding use of MIRO-style fonts.
2d UPDATE: PRof. Patry weighs in heavily in favor of Google, in a post entitled "How Copyright is Getting a Bad Name."
Perfect 10 v. Google, 04-9484 (C.D. Cal Feb 17, 2006). via News.com.
Initial reaction from two different leading Internet figures: wow.
The holding turns on the fair use analysis of Google's display of thumbnail images (the Court held that Google neither displayed nor distributed full size images, as it utilizes inline linking to, and does not nost nor serve, full size images).
An essential fact here is that P10 now sells thumbnail images of its photos for the cellphone market. Thus, Google making such images available for download made its use 'consumptive' (in addition to transformative), with a negative effect on P10's market.
The thought occurs as I read this section that Google makes this go away by cropping a corner off the thumbnail (or perhaps reproduces thumbs using sepia tone).
The second half of the decision discusses P10's theory of vicarious and contributory infringement. P10 asserted that Google directly benefits from third-party sites that infringe P10's copyrights, through its Googel AdSense program. However P10 did not substantiate this allegation with sufficent evidence and the Court did not buy the basic premise, noting that adult-oriented websites existed before Googe Image Search, and would likely continue were it to go away.
The decision contains a useful analysis of Google's indexing activities in a post-Grokster 'incuding infringing' context.
Trademark Blog Perfect 10 v. Google archives here.

Discussion by Saatchi Gallery here.
The Free Expression Policy Project of the Brennan Center for Justice at NYU School Of Law has released a report 'Will Fair Use Survive? Free Expression in the Age of Copyright Control.'